Friday, 27 May 2011

Wole Soyinka

Akinwande Oluwole "Wole" Soyinka ,born 13 July 1934, is a Nigerian writer, poet and playwright. He was awarded the 1986 Nobel Prize in Literature, where he was recognised as a man "who in a wide cultural perspective and with poetic overtones fashions the drama of existence", and became the first African to be so honoured. In 1994, he was designated UNESCO (United Nations Educational, Scientific and Cultural Organization) Goodwill Ambassador for the promotion of African culture, human rights, freedom of expression, media and communication.
One of the most prominent members of the eminent Ransome-Kuti family, his mother Grace Eniola was the daughter of Rev. Canon JJ Ransome-Kuti, sister to Olusegun Azariah Ransome-Kuti and Oludotun Ransome-Kuti, making Soyinka cousin to the late Fela Kuti, the late Beko Ransome-Kuti, the late Olikoye Ransome-Kuti and to Yemisi Ransome-Kuti.
Soyinka was born into a Yoruba family in Abeokuta, specifically, a Remo family from Isara-Remo on July 13, 1934. His father was Christian Clergy, Canon SA Soyinka (aka "Teacher pupa" (light skinned teacher)). He received a primary school education in Abeokuta and attended secondary school at Government College, Ibadan. He then studied at the University College, Ibadan (1952–1954) where he founded the pyrates confraternity (an anti-corruption and justice seeking student organization) and the University of Leeds (1954–1957) from which he received a First class honours degree in English Literature. He worked as a play reader at the Royal Court Theatre in London before returning to Nigeria to study African drama. He taught in the Universities of Lagos, Ibadan, and Ife (now Obafemi Awolowo University, Ile-Ife). He became a Professor of Comparative Literature at the then University of Ife in 1975. He is currently an Emeritus Professor at the same university.
Soyinka has played an active role in Nigeria's political history. In 1965, he made a broadcast demanding the cancellation of the rigged Western Nigeria Regional Elections following his seizure of the Western Nigeria Broadcasting Service studio. He was arrested, arraigned but freed on a technicality by Justice Esho. In 1967, during the Nigerian Civil War he was arrested by the Federal Government of General Yakubu Gowon and put in solitary confinement for his attempts at brokering a peace between the warring Nigerian and Biafran parties. While in prison he wrote poetry on tissue paper which was published in a collection titled Poems from Prison. He was released 22 months later after international attention was drawn to his unwarranted imprisonment. His experiences in prison are recounted in his book The Man Died: Prison Notes of Wole Soyinka (1972).
He has been an implacable, consistent and outspoken critic of many Nigerian military dictators, and of political tyrannies worldwide, including the Mugabe regime in Zimbabwe. A great deal of his writing has been concerned with "the oppressive boot and the irrelevance of the colour of the foot that wears it". This activism has often exposed him to great personal risk, most notable during the government of General Sani Abacha (1993–1998), which pronounced a death sentence on him "in absentia". During Abacha's regime, Soyinka escaped from Nigeria via the "Nadeco Route" on motorcycle. While abroad, he visited parliaments and conferred with world leaders to impose a regime of sanctions against the brutal Abacha regime. These actions and his setting up of the Radio Kudirat helped immensely in securing Nigeria's return to civilian democratic governance. Living abroad, mainly in the United States, he was a professor at Emory University in Atlanta. When civilian rule returned in 1999, Soyinka returned to a hero's welcome back in Lagos, Nigeria. He accepted an Emeritus Professorship at Ife (now Obafemi Awolowo University) on the condition that the university bar all former military officers from the position of chancellor. Soyinka is currently the Elias Ghanem Professor of Creative Writing at the English department of the University of Nevada, Las Vegas and the President's Marymount Institute Professor in Residence at Loyola Marymount University in Los Angeles, California, US.

Nobel Prize laureate
In 1960, he was awarded a Rockefeller bursary and returned to Nigeria to study African drama. Soyinka was awarded the Nobel Prize for Literature in 1986, as one “who in a wide cultural perspective and with poetic overtones fashions the drama of existence” becoming the first African laureate. His Nobel acceptance speech was devoted to South African freedom-fighter Nelson Mandela. Soyinka's speech was an outspoken criticism of apartheid and the politics of racial segregation imposed on the majority by the Nationalist South African government. In 1986, he received the Agip Prize for Literature.
Soyinka's Nobel Prize Lecture, "This Past Must Address Its Present," judged to be very revealing, revelling, poignant, eloquent, is an eye-opener to the misdeeds of the Apartheid South Africa. The Lecture is the most revealing and downright message concerning the enslaved, colonized and disparaged Africans and International Affairs since the foundation of Nobel Prize in Literature in 1901. It is an ideal legacy for people interested in rhetorics, history and International Relations. The power of words cannot be underestimated. They can move passionate hearts to reason and tears. At long last, the disparate words moved the entire world to reason and tears, resulting in the release of Nelson Mandela in 1990, after 27 years behind bars.
In 1988, his new collection of poems Mandela's Earth, and Other Poems was published, while in Nigeria another collection of essays entitled Art, Dialogue and Outrage: Essays on Literature and Culture appeared. In the same year, Soyinka accepted the position of professor of African studies and theatre at Cornell University. In 1990, the second portion of his memoir called Isara: A Voyage Around Essay appeared. In July 1991 the BBC African Service transmits his radio play A Scourge of Hyacinths, and the next year (in June 1992) in Siena (Italy), his play From Zia with Love has its premiere. Both works are very bitter political parodies, based on events which took place in Nigeria in the 1980s. In 1993 Soyinka was awarded an honorary doctorate from the Harvard University. The next year appears another part of his autobiography Ibadan: The Penkelemes Years (A Memoir: 1946-1965). The following year his play The Beatification of Area Boy was published. On 21 October 1994 Soyinka was appointed UNESCO Goodwill Ambassador for the Promotion of African culture, human rights, freedom of expression, media and communication. In November 1994 Soyinka fled from Nigeria through the border with Benin and then to the United States. In 1996 his book The Open Sore of a Continent: A Personal Narrative of the Nigerian Crisis was first published.

Awards and honors
1967: Head of the Department of Theater Arts, University of Ibadan; June: "The Writer in a Modern African State"; August to October 1969 imprisoned for writings sympathetic to secessionist Biafra; September: The Lion and the Jewel produced Accra; November: Trials of Brother Jero and The Strong Breed produced, Greenwich Mews Theatre, New York; Idanre and Other Poems.
April 1968: Kongi's Harvest, produced by Negro Ensemble Company, New York.
February 1969: The Road produced by Theatre Limited, Kampala, Uganda; Poems from Prison, London.
August 1970: Completes and directs Madmen and Specialists with Ibadan University Theare Arts Company in New Haven, Connecticut (at Yale?); play tours to Harlem; directs plays by Pirandello and others; Kongi's Harvest (film).
1971: A Shuttle in the Crypt (poems); March: revives Madmen and Specialists in Ibadan; acts Patrice Lumumba in John Littlewood's French production of Conor Cruise O'Brien's Murderous Angels, Paris; testifies before Kazeem Enquiry on violation of students' rights.
1972: Publishes his prison notes, The Man Died, London; July: produces extracts from A Dance of the Forests in Paris.
1973: Honorary Ph. D., University of Leeds; Season of Anomie (novel); Collected Plays I; August: National Theatre, London, produces Bacchae of Euripides, which it commissioned.
1973-74: Overseas Fellow, Churchill College, Cambridge, and Visiting Professor of English, University of Sheffield; Collected Plays II.
1975: Edited Poems of Black Africa, London and New York; "Neo-Tarzanism: The Poetics of Pseudo-Tradition" (essay); attacks Idi Amin in Transition.
1976: Ogun Abibiman (poems); Myth, Literature, and the African World; Visiting Professor, Institute of African Studies, University of Ghana, Legon; Professor, University of Ife; September: Nairobi High School production of A Dance of the Forests; October: French production of A Dance of the Forests, Dakar, Gambia; December: produces Death and the King's Horseman, Ife.
1978: "Language as Boundary" (essay).
1981: Aké: The Years of Childhood (autobiography); Opera Wonyosi, an adaptation of Brecht's Three Penny Opera; "The Critic and Society: Barthes, Leftocracy, and Other Mythologies" (essay).
1982: Blues for the Prodigal (film) released; "Cross Currents: The 'New African' after Cultural Encounters" (essay).
1983: Elected an Honorary Fellow of the Royal Society of Literature
1983: Anisfield-Wolf Book Award.
December 1983: Die Still, Rev. Dr. Godspeak (radio play); Requiem for a Futurologist (play) produced at Ife university; Blues for a Prodigal (film); "Shakespeare and the Living Dramatist" (essay); (July) - Unlimited Liability Company (phonograph recording).
1984: A Play of Giants (play).
1985: Requiem for a Futorologist published; "Climates of Art" (Herbert Read Memorial Lecture), Institute of Contemporary Art, London.
1986: Nobel Prize for Literature. "The External Encounter: Ambivalence in African Arts and Literature" (essay), A Play of Giants (play), Fellow, Society for the Humanities, Cornell University; Agip Prize for Literature; 1986 (October); Awarded Nigeria's second highest honour, Commander of the Federal Republic, CFR.
1987: Six Plays; Childe Internationale (play) republished.
1989: "The Search" (short story).
1990: Benson Medal from Royal Society of Literature
1991: Sisi Clara Workshop on Theatre (Lagos); A Scourge of Hyacinths (radio play) BBC African Service; "The Credo of Being and Nothingness" (The First Rev. Olufosoye Annual Lecture in Religion, delivered at the University of Ibadan on 25 January 1991; published.
1992: From Zia With Love.
1993: honorary doctorate, Harvard University.
1994: Ibadan: The Penkelemes Years (A Memoir: 1946-1965) (autobiography); Memories of a Nigerian Childhood; flees Nigeria (November).
1995: The Beatification of Area Boy.
1996: The Open Sore of a Continent: A Personal Narrative of the Nigerian Crisis.
March 1997: Charged with treason by military dictatorship. Considered one of Africa's poets alongside Cesair, Senghor, Ohaeto, B'tek, Okigbo, Ohanyido, Okara, Clark and so forth.
2004: Reith Lecturer for BBC Radio 4, discussing A Climate of Fear.
2005: Honorary doctorate degree, Princeton University.Together with Nigerian elder statesman Chief Anthony Enahoro, he convened an alternative national confab under the aegis of PRONACO (Pro -national conference group). On 26 November 2005, he was conferred with the chieftaincy title of Akinlatun of Egbaland by the Alake, Oba of the Egba clan of Yorubaland which he belongs to, thus making him a tribal aristocrat with the right to use the Yoruba title Oloye.
2008: Distinguished Scholar in Residence, Franklin Humanities Institute, Duke University
2009: Academy of Achievement Golden Plate Award

Derek Walcott

Hon. Derek Alton Walcott, OBE OCC (born January 23, 1930) is a Saint Lucian poet, playwright, writer and visual artist who was awarded the Nobel Prize for Literature in 1992 and the T. S. Eliot Prize in 2011 for White Egrets. His works include the Homeric epic Omeros. Robert Graves wrote that Walcott "handles English with a closer understanding of its inner magic than most, if not any, of his contemporaries.

Career
With a scholarship he studied at the University of the West Indies in Kingston, Jamaica then moved to Trinidad in 1953, becoming a critic, teacher and journalist. Walcott founded the Trinidad Theatre Workshop in 1959 and remains active with its Board of Directors. Exploring the Caribbean and its history in a colonialist and post-colonialist context, his collection In a Green Night: Poems 1948-1960 (1962) saw him gain an international public profile.He founded the Boston Playwrights' Theatre at Boston University in 1981. Walcott taught literature and writing at Boston University, retiring in 2007. His later collections include Tiepolo’s Hound (2000),The Prodigal (2004) and White Egrets (2010), which was the recipient of the T.S. Eliot Prize.
Walcott was awarded the Nobel Prize in Literature in 1992, the first Caribbean writer to receive the honor. The Nobel committee described his work as “a poetic oeuvre of great luminosity, sustained by a historical vision, the outcome of a multicultural commitment. In 2009, he began a three-year distinguished scholar-in-residence position at the University of Alberta. In 2010, he became Professor of Poetry at the University of Essex.

Themes
Methodism and spirituality have played a significant role from the beginning, in Walcott's work. He commented "I have never separated the writing of poetry from prayer. I have grown up believing it is a vocation, a religious vocation". He describes the experience of the poet: "the body feels it is melting into what it has seen… the “I” not being important. That is the ecstasy...Ultimately, it’s what Yeats says: 'Such a sweetness flows into the breast that we laugh at everything and everything we look upon is blessed.' That’s always there. It’s a benediction, a transference. It’s gratitude, really. The more of that a poet keeps, the more genuine his nature. He notes that "if one thinks a poem is coming on...you do make a retreat, a withdrawal into some kind of silence that cuts out everything around you. What you’re taking on is really not a renewal of your identity but actually a renewal of your anonymity.
Walcott has published more than twenty plays, the majority of which have been produced by the Trinidad Theatre Workshop, and have also been widely staged elsewhere. Many of them deal, either directly or indirectly, with the liminal status of the West Indies in the postcolonial period. Much of his poetry also seeks to explore the paradoxes and complexities this legacy. In his 1970 essay "What the Twilight Says: An Overture" discussing art and theatre in his native region (from Dream on Monkey Mountain and Other Plays) Walcott reflects on the West Indies as colonized space, and the problems presented by a region with little in the way of truly indigenous forms, and with little national or nationalist identity. He states: “We are all strangers here... Our bodies think in one language and move in another". Discussions of epistemological effects of colonization inform plays such as Ti-Jean and his Brothers. In the play, Mi-Jean, one of the eponymous brothers is shown to have much information, but to truly know nothing. Every line Mi-Jean recites is rote knowledge gained from the coloniser, and as such is unable to be synthesized and thus is inapplicable to his existence as colonised person.

Further reading

Baer, William, ed. Conversations with Derek Walcott. Jackson: UP of Mississippi, 1996.
Baugh, Edward, Derek Walcott: Memory as Vision: Another Life. London: Longman, 1978.
Baugh, Edward, Derek Walcott. Cambridge: Cambridge UP, 2006.
Breslin, Paul. Nobody's Nation: Reading Derek Walcott. Chicago: U. Chicago, 2001. ISBN 0-226-07426-9
Brown, Stewart, ed., The Art of Derek Walcott. Chester Springs, PA.: Dufour, 1991; Bridgend: Seren Books, 1992.
Burnett, Paula, Derek Walcott: Politics and Poetics. Gainesville: University Press of Florida, 2001.
Gazzoni, Andrea, Epica dell'arcipelago. Il racconto della tribù, Derek Walcott, "Omeros". Firenze: Le Lettere, 2009. ISBN 88-6087-288-X
Hamner, Robert D., Ed. Critical Perspectives on Derek Walcott. Washington, D.C.: Three Continents, 1993. ISBN 0-89410-142-0
Hamner, Robert D. Derek Walcott. Updated Edition. Twayne's World Authors Series. TWAS 600. New York: Twayne, 1993.
Heaney, Seamus, ‘The Murmur of Malvern’, in The Government of the Tongue: The 1986 T. S. Eliot Memorial Lectures and Other Critical Writings. London: Faber and Faber, 1988, pp. 23–29.
King, Bruce, Derek Walcott and West Indian Drama: ‘Not Only a Playwright But a Company’: The Trinidad Theatre Workshop 1959-1993. Oxford: Clarendon Press, 1995.
King, Bruce, Derek Walcott, A Caribbean Life. Oxford: OUP, 2000.
Lennard, John, 'Derek Walcott' in Jay Parini, ed., World Writers in English. 2 vols, New York & London: Charles Scribner’s Sons, 2004, II.721–46.
Parker, Michael and Roger Starkey, Eds. New Casebooks: Postcolonial Literatures: Achebe, Ngugi, Desai, Walcott. Houndmills, Basingstoke, Hampshire: Macmillan, 1995. ISBN 0-333-60801-1
Sinnewe, Dirk, Divided to the Vein? Derek Walcott’s Drama and the Formation of Cultural Identities. Saarbrücken: Königshausen und Neumann, 2001 [Reihe Saarbrücker Beiträge . ISBN 3-8260-2073-1
Terada, Rei, Derek Walcott’s Poetry: American Mimicry. Boston: Northeastern University Press, 1992.
Thieme, John, Derek Walcott. Manchester and New York: Manchester University Press, 1999.
Walcott, Derek. Dream on Monkey Mountain and Other Plays. New York: Farrar, 1970. ISBN 0-374-50860-7

Awards and honours
1969 Cholmondeley Award
1971 Obie Award for Dream on Monkey Mountain
1972 OBE
1981 MacArthur Foundation Fellowship OBIE ("genius award")
1988 Queen's Gold Medal for Poetry
1990 Arts Council of Wales International Writers Prize
1990 WH Smith Literary Award for Omeros
1992 Nobel Prize for Literature
2008 Honorary doctorate from the University of Essex
2011 T.S. Eliot Prize for White Egrets

Toni Morrison

Toni Morrison (born Chloe Anthony Wofford on February 18, 1931) is a Nobel Prize and Pulitzer Prize-winning American novelist, editor, and professor. Her novels are known for their epic themes, vivid dialogue, and richly detailed characters. Among her best known novels are The Bluest Eye, Song of Solomon and Beloved.

Awards and nominations
Awards
1977 American Academy and Institute of Arts and Letters Award
1987-88 Robert F. Kennedy Book Award
1988 American Book Award for Beloved
1988 Anisfield-Wolf Book Award in Race Relations for Beloved
1988 Pulitzer Prize for Fiction for Beloved
1989 MLA Commonwealth Award in Literature
1993 Nobel Prize for Literature
1993 Commander of the Arts and Letters, Paris
1994 Condorcet Medal, Paris
1994 Pearl Buck Award
1994 Rhegium Julii Prize for Literature
1996 Jefferson Lecture
1996 National Book Foundation's Medal of Distinguished Contribution to American Letters
2000 National Humanities Medal
UUA:Frederic G. Melcher Book Award (named for an editor of Publishers Weekly), 1988 for "Beloved". A remark in her acceptance speech that “there is no suitable memorial or plaque or wreath or wall or park or skyscraper lobby” honoring the memory of the human beings forced into slavery and brought to the United States. “There’s no small bench by the road,” led the Toni Morrison Society to begin installing benches at significant sites in the history of slavery in America; the first “bench by the road” was dedicated July 26, 2008 on Sullivan's Island, South Carolina, the point of entry for approximately 40 percent of the enslaved Africans brought to British North America.
In 2002, scholar Molefi Kete Asante listed Toni Morrison on his list of 100 Greatest African Americans.

Nominations
Grammy Awards 2008 Best Spoken Word Album for Children - "Who's Got Game? The Ant or the Grasshopper? The Lion or the Mouse? Poppy or the Snake?

Early life and career
Toni Morrison was born in Lorain, Ohio, to George and Ramah (Willis) Wofford, the second of four children in a working-class family. As a child, Morrison read constantly; among her favorite authors were Jane Austen and Leo Tolstoy. Morrison's father told her numerous folktales of the black community (a method of storytelling that would later work its way into Morrison's writings).
In 1949 Morrison entered Howard University, where she received a B.A. in English in 1953. She then earned a Master of Arts degree in English from Cornell University in 1955, for which she wrote a thesis on suicide in the works of William Faulkner and Virginia Woolf. After graduation, Morrison became an English instructor at Texas Southern University in Houston, Texas (1955–57), then returned to Howard to teach English. She became a member of Alpha Kappa Alpha Sorority, Inc.
In 1958 she married Harold Morrison, a Jamaican architect and fellow faculty member at Howard University. They had two children, Harold and Slade, and divorced in 1964. After the divorce she moved to Syracuse, New York, where she worked as a textbook editor. A year and a half later she went to work as an editor at the New York City headquarters of Random House.
As an editor Morrison played a vital role in bringing black literature into the mainstream, editing books by authors such as Toni Cade Bambara, Angela Davis, and Gayl Jones.

Morrison taught English at two branches of the State University of New York. In 1984 she was appointed to an Albert Schweitzer chair at the University at Albany, The State University of New York. From 1989 until her retirement in 2006, Morrison held the Robert F. Goheen Chair in the Humanities at Princeton University.
Though based in the Creative Writing Program, Morrison did not regularly offer writing workshops to students after the late 1990s, a fact that earned her some criticism. Rather, she has conceived and developed the prestigious Princeton Atelier, a program that brings together talented students with critically acclaimed, world-famous artists. Together the students and the artists produce works of art that are presented to the public after a semester of collaboration. In her position at Princeton, Morrison used her insights to encourage not merely new and emerging writers, but artists working to develop new forms of art through interdisciplinary play and cooperation.
At its 1979 commencement ceremonies, Barnard College awarded her its highest honor, the Barnard Medal of Distinction. Oxford University awarded her an honorary Doctor of Letters degree in June 2005.
In November 2006, Morrison visited the Louvre Museum in Paris as the second in its "Grand Invité" program to guest-curate a month-long series of events across the arts on the theme of "The Foreigner's Home." Inspired by her curatorship, Morrison returned to Princeton in Fall 2008 to lead a small seminar, also entitled "The Foreigner's Home.